"Cyanide at Five" by Pavel Kohout:

"Eva Sitta is an extraordinary artist! Her essence expands in the space of the stage to make the mad egoism and self-delusion of Zofia's character totally believable. And in the end, although, we see the manipulative mannerisms, we sympathise with her character, and dread the self righteous games of the wronged younger woman. And her gestures! I will never forget the dramatic impact of loosening her hair. Then, somehow with a simple neck twist her face was covered.

In spite of the limitations of the play, the actresses transformed it into a lasting theatrical experience...The more I think about Eva's performance, the more it resonates in my soul. She is a true artist in the Goethean sense. She brings gestures, speech, a sense of space, reaching out to the audience to include them, and creates a totally believable character. I will never forget the other night."

David Wansbrough, visiting professor Moscow University

"...The most important issue of the play is not an infringement of copyright nor is it the material gain of the fictitious writer. It is a "head on" encounter of two irreconcilable worlds on social, religious and above all on an ethical level: A duel between a hypocritical catholic with loose morals and an innocent-orthodox Jew."

Stan Volek, artist

"The Human Voice" by Jean Cocteau:

"Sitta's performance is extraordinarily good, intense but subtle, revealing complex emotional changes through vocal nuances that complement Cocteau's one-sided dialogue and its psychological revelations. She also ensure that we have a vivid picture of the man whose actual words we never hear. The insistence on reading silences and absences is crucial to understanding the play's meaning..."

Helen Thomson, The Age, Melbourne

"...a beautifully crafted work, recording the final hour of passionate affair. Eva Sitta, the performer, and her director Fiona Pulford, have chosen to contemporise Cocteau's 1929 play. Sitta's shifting moods are from the wan end of emotional spectrum: hurt, anger, desperation. Her hands nervously twist the bed sheets or crumble up their love letters." "I paid dearly for happiness that was without price,"  the woman says. "I regret nothing".

Colin Rose, The Sun Herald, Sydney

"Island" Feature film by Paul Cox

"Eva (Eva Sitta), a young, lovely but extremely morose Czechoslovakian-born Australian...It soon emerges that heroin is part of the reason for Eva's taciturnity, an addiction she has trouble shaking off...Yet Eva's withdrawn nature is undoubtedly central to Cox's intentions. The earlier Island concerned a man wanting to return home without knowing where home was. This is precisely the condition of Eva. She reminds me of a line by Baudelaire quoted in Bruce Chatwin's The Songlines "This life is a hospital in which each sick man is possessed by desire to change beds." Like the rest of Paul Cox's work, Island is deceptively modest: touching and full of simple observations that bear the rimg of truth."

Lynden Barber, film reviewer and Sydney Film Festival Director

"The Petrov Affair" A mini-series produced by Bob Weis

"Eva Sitta and Alex Menglet are quite excellent as Petrovs and though Miss Sitta is allowed to exude a much greater sense of glamour that the real-life wife...that is an acceptable piece of licence."

Robin Oliver, in My View

"Eva Sitta", perhaps a little young, creates a beautiful tension as Petrov's wife."

Doug Anderson, SMH

"There is also a fine performance by Eva Sitta, as beautiful Evdokia Petrov. And the harrowing scenes of her captivity in the Russian embassy and the last- minute rescue by Australian agents at Darwin airport will have your heart in your mouth. "

Sunday Press

"The one scene of any suspense is Evdokia's (Eva Sitta) escorted flight back to Moscow after her husband's defection, when she is tortured by the choice between joining Petrov and betraying her family or going home to imprisonment possible death. Here for once we feel like cheering on her indomitable spirit."

Jane Sullivan